'Take Me Out'
'Take Me Out'

Review Queerty Photo: Joan Marcus

'Flying Over Sunset'
'Flying Over Sunset'

Review EDGE Media Network (Photo: Joan Marcus)

A Letter to Bobbie
A Letter to Bobbie

'Company' Returns to Broadway The Broadway Blog (Photo: Matthew Murphy)

'Kimberly Akimbo'
'Kimberly Akimbo'

Review The Broadway Blog (Photo: Ahron R. Foster)

"The Lehman Trilogy"
"The Lehman Trilogy"

Review EDGE Media Network (Photo: Julieta Cervantes)

'Mrs. Doubtfire'
'Mrs. Doubtfire'

Broadway Review EDGE Media Network (Photo: Joan Marcus)

'Trevor - The Musical'
'Trevor - The Musical'

Off-Broadway Review EDGE Media Network (Photo: Joan Marcus)

Theatre's Changing Landscape
Theatre's Changing Landscape

Dramatics (Photo: Mattie Barber-Bockelman/La MaMa)

'Hamilton''s Sydney James Harcourt
'Hamilton''s Sydney James Harcourt

The Broadway Blog (Photo: Sydney James Harcourt)

Revisiting 'The Phantom of the Opera'
Revisiting 'The Phantom of the Opera'

The Broadway Blog (Photo: 2011 London Royal Albert Hall production, courtesy of Think Jam)

"West Side Story"
"West Side Story"

Review The Broadway Blog Photo: Jan Versweyveld

WEXLER
MATTHEW
Wexler 2018.jpg

Matthew Wexler is a nationally recognized editor and writer. His work has appeared in more than 20 publications and online media outlets including Passport, Hemispheres, ShermansTravel, TDF Stages, Dramatics, Hamptons Magazine, Travel Weekly, Wine Enthusiast, EDGE Media Network and more. 

 

Matthew has appeared as a speaker at The New York Times Travel Show, Travel Gay Canada LGBT Tourism Conference, and is a regular panelist at The National Publicity Summit. He currently serves as the features editor at Q.Digital, working across its network of news and entertainment sites, including Queerty, LGBTQ Nation, INTO and GayCities.

 

Matthew is a member of the New York Travel Writers Association, The International LGBTQ+ Travel Association, The American Theatre Critics Association, The Association of LGBTQ Journalists, and a fellowship recipient from the Eugene O'Neill Theater Center's National Critics Institute.

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